DAVID DUCHOVNY NYC LISTENING PARTY Recap “Every Third Thought”

DAVID DUCHOVNY NEW YORK LISTENING PARTY DELIVERED Sorry no photos or videos or sound clips. The album does not officially release untill February 9. So let’s respect the artists and producers. 

PHOTOS from the event to be posted HERE in the next 48 hours

Today was special.

I am so moved by these songs I just have to share some thoughts.

DAVID DUCHOVNY NEW YORK LISTENING PARTY DELIVERS

@waltfrasier @lauricef @duchovniacs

David Duchovny was joined on stage today with Pat McCusker, Colin Lee, Mitchell Stewart and Sebastian Modak, interviewed my Monique McQueen (Great Job moderating the Q&A) as we all got to listen to the entire new album, EVERY THIRD THOUGHT.  The listening party attendees all left feeling expectations were surpassed.

Kerry Lee announced the day’s activities while Sam Platt played DJ, throwing down three tracks at a time with question and answer sessions in between.

With all the songs, David feels he’s writing country songs, because that’s how he sounds alone with his guitar. Monique says these songs pass the “campfire test”. You can break them down to singers and guitar and they hold up.

SET ONE

First up was HALF LIFE. Laurice remarks that the tempo seems a bit livelier – More energetic. This was the first of many that seemed ready for radio play. At the very minimum, ready for movie soundtrack. On tour, David will joke this song is about science. “Unconditional Love Decays….”.

David says he had a David Bowie feel in mind orginally.

The words are a bit sad. Half Life appears to refer to half of your life los tin a break up but leaving with you empty – “with nothing” – inside. But the music driving the story is also about moving past and picking up the pieces and working though the worst of it.

For those that have heard this song on tour, you are in for a treat. The guys (Pat, Colin, Mitch, Sebastian and other – Hanna rocking some strings, etc.) really had some freedom to play. If you listen carefully, the music is almost playful with subtle rhythmic and countrapuntal flourishes hiding – coyly sneaking through – beneath the surface of lead vocals, intros and bridges.

I had a question about the writing of the song. When the song is live, David appears to want to take the middle of the chorus to a V chord (B chord in the Key of E). David will often drop G# at the end of the word indivisible to a F# which would imply in some he wants the chord to go to the B (D# F#). In most music a phase will end with a strong V-I (5-1). My question was “Did the song original move to a B chord there? I feel David is trying to pull the band down to a 5 chord”

David responds, “You think I’m dragging them down?” (Laughs)

Pat, Colin and I discussed among ourselves about the music theory. David makes a cat sound and says “perhaps you fellas should take this outside…” Long story short we had WAY TOO MUCH FUN TODAY.

EVERY THIRD THOUGHT in contrast is a tad slower and more in the pocket from the live version we have heard the past two years – originally heard by fans in Europe 2016. The arrangement is slightly more exposed, revealing some hip rhythmic hits and vocal harmonies. This was always my vote for the album’s title track. David was pushing for Strangers (in the Sacred Heart).

The final song of the first set was MAYBE I CAN’T. We need this album TODAY to fully digest the new stuff in depth.

Set Two

– Strangers in the Sacred Heart
– Mo’
– Someone Else’s Girl

All three of these songs are known to us from live concerts over the past two years. All three are similar and familiar, but each had their moments where, again, the band got to play. Especially Someone Else’s Girl, which David attributed to Pat from start to finish, taking the lead on the arrangement.  This is the “feel good” track with it’s bouncy reggae feel. Love me some Pat! Laurice says this may be her favorite tune on the album.

David recounted his story of writing STRANGER while gigging in Paris last year, tying his own father’s story to the folks praying for strangers at Sacre Couer. We love Hanna Reid’s violins. Laurice calls it baroque pop, mixing in the classical sounds with the pop rock. If you have not caught Hanna, live, find her in your town. There were also some cathedral chimes and other interesting sounds that helped painted the picture.

David says MO is about over consumption with influences of Fleetwood Mac.MO is familiar, but you can tell David and the band put a lot of work into cleaning up the arrangements and kicking out near perfection. Pat has a very sweet guitar solo I think fans are going to dig.

David went further to say, songs are less of a statement, and more of a cloud, “what ever that means.”

Q: What was the process of writing this album, compared to the first?
A: David said it was more collaborative. Sebastian (Percussionist) said there are a lot more chances, especially with percussion. The other guys elaborated on finding a safe place to speak up and out for ideas.

Q: Does doing all the music and concert touring feel surreal?
David: I wouldn’t say surreal. No, it feels good. If feels… (Audience supplies “Organic” – giggles) Why do I keep seeing that “Organic” in quotes (Finger quote gesture).

“ORGANIC” Is that a meme?  David asked the band.

David forgot “ORGANIC” comes from his answer from a previous Facebook Q&A and it stuck. There were unasked questions of possible double meanings in the following looks but it was left at that.

SET THREE may have been my favorite, with two new songs that blew my mind.

WHEN THE WHISTLE BLOWS started and right away the whole crowd is bobbing heads, tapping feet. It is an amazing song. About half way through I lean over to Laurice, “I think this is my new fave.” Angry Blues Rock song was also the favorite for some of the band.

SPIRAL is a song written by Pat and Colin. David admits a little jealousy when folks say this is their favorite tune from their album. Not sure if it was my third homemade pineapple vodka (homemade by restaurant, I did not sneak in booze), being caught up in the moment, or the song was just that amazing, I started to tear up. I leaned to Laurice. Not hearing me, she shoves pen/paper in my hand. I write “FUCKING AWESOME!!!” She exclaims, “you wasted space on her diminishing note paper space.” The moment was otherwise beyond words.

The set was rounded by another concert tour favorite, Roman Coin. Again, like some of the earlier tunes, this was just a cleaner, better mixed version of the song we have come to love.

SET FOUR

SET FOUR has two new songs to us and one that is relatively new, after David debuted Marble Sun in Vancouver last fall.

JERICHO is a bit sad. This tune hit close to home with Laurice as David discussed it’s connection with his father. When the album releases I will give a more in depth review of the song. Hearing it for the first time, I was just taking it in.

LAST FIRST TIME to be fair did not get my full focus and attention. Mainly because I was reflecting deeply on the third set. Again, this was the first time we’ve heard this track and I would like a second listen before further discussion.

MARBLE SUN is one of the new songs that has popped into my head often in the past months since Vancouver. My only criticism today was the percussion track seemed to overpower the song. This is a simple mix issue. The song otherwise is a perfect end. I am not sure you call this a concept album. Every song works as a single, but there are some stylistic themes.

David said this song was an idea from Colin and many ways the most collaborative song on the album, and perhaps his new favorite.

IN CONCLUSION – To put today into perspective

Most came to HELL OR HIGHWATER because of love for David’s work as Fox Mulder or Hank Moody. At least half of the fans at early concerts didn’t even know they were attending an actual concert.

“AN EVENING WITH DAVID DUCHOVNY? What is he doing, Stand-Up Comedy” –this is a direct quote from at least three people I encountered during the first year of concerts.

When I first heard the early release of WHEN THE TIME COMES, I was working on some contracts and Laurice was playing the track. The first lyric I really heard was “Jack and Jill, ran out on their bill…” WHAT THE FUCK IS THIS was my thought.

I did not take this at all seriously until May 12, 2015 at the Cutting Room. Many have heard the story of Laurice, myself and 10 other fans hanging out for pizza, lining up crazy early, sitting right in front of a barefoot Pat and later a singing, dancing,  tambourine beating and shaking Gillian Anderson.

I bought an album that night. While everyone else was talking/tweeting about THE KISS (Cue melodramatic music) Listened to it a few times. Two days later I started this blog.

The DUCHOVNIACS were born, or at least something more official. (It was a slow journey with 25 years of fans slowing finding each other at events and expanding. 25-30 concerts later – and New Zealand / Australia bound in three weeks for 6 more (Skipping Wellington for some more time in Melbourne) – I am a bigger fan of the music (as it’s own entity) than ever..

For most fans, HELL OR HIGHWATER was about David Duchovny getting to play and share an experience with his friends and fans. A comiccon meet & greet on crack.  Something to hold us over between X-Files and other projects. Out of the millions of X-Files fans around the world, there may be a few thousand that really give the music it’s fair shake to date.

EVERY THIRD THOUGHT will change all that. This no longer some celebrity doing the band thing. This is a legit BAND that happens to have David Duchovny’s celebrity status to open doors and sell tickets. This album deserves attention beyond the X-Files and Californication fandom.

I challenge everyone that will take the time to read this to do a blind test. Play a few of these new songs for friends. Make them guess the band name. These songs stand on their own, many ready for 2018 radio play. Most ready for movie soundtracks and other commercial use.  All ready to rock Auckland, Wellington, Melbourne, Sydney, Wollogong, New Castle and Brisbane next month.

See you down under!!!

PS- Super excited to hear some of the acoustic tracks coming. As much as I love the original album, the songs written by David and shaped by the band have become so much more as the musical relationship has grown over the past 4 years now (if you include initial writing, rehearsing and recording times).

THANKS must be given to Brad Davidson and Kerry Lee. If you have not met these two, they are usually at the door or running around doing the jobs of 3-4 each.

NYCC Screening: X-Files Episode 10-01 Duchovniacs Recap/Review SPOILER ALERT

X-FILES BIGGER BADDER & UNCUT 2016 by Walt Frasier October 15, 2015

First off – OUR NYCC Escapades!

lNYCC

wnycc

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WHAT EVER YOU DO – DO NOT READ THIS ARTICLE…

So I am guessing I am one of about 5000 that have seen the premier episode that will be seen on FOX in January 2016. Maybe more as I have heard rumors that the truth is out there online somewhere.

If you have NOT seen episode CLOSE THIS WINDOW NOW!!!

Overall, I cannot dismiss the fact I was giddy with happy tears the entire 90 minutes of watching new episode and listening to panel with Chris Carter, David Duchovny and Mitch Pileggi. Perhaps I was out of control emotionally due to extreme exhaustion after waiting in lines for 8 hours to get a front row seat only to get a 4th row seat… I digress. Except for a brief awkward moment when Deadpool asked a question about Supernatural (Mitch fans, right?) it was pure ecstasy!

YOU’VE BEEN WARNED!!!

So this entire episode felt like one big hug, saying we thank you and miss you too. Scully, Mulder, Skinner and even… well you know, right… they all had a specific entrance. Every major character had a welcome back moment, and each moment had thunderous applause. We ate it up like candy.

VINI VIDI VICI! This episode took no prisoners!!!

There is a noticeable style shift. At times this episode seemed like a 45-minute teaser trailer. The episode flies by at break neck speed. The old dark imagery – mainly due to hiding low budget effects – has been replaced by “let’s show everything.”

BIGGEST SPOILER WARNING YET – PLEASE TURN AWAY…

NOW!!!

SERIOUSLY!!!

YOU’VE BEEN WARNED!!!

While discussing the episode over burgers and milkshakes I joked with my crew – Chris Carter basically took all of our critism of the 2008 movie and said – in a fit of rage  –

“FINE, you want to see aliens? (SMACK IN FACE) HERE is a mothra ducking alien!!!”

“You want to see UFOS? (SMACK IN FACE)  HERE is a Gosh Darn UFO!”

“You want action? Let’s blow it all up!!!” (GAUNTLET THROWN)

(Insert maniacal hysterical insane laughter here- Chris Carter as Dr. Evil LOL)

My guess is 18-35 year old demographic will love the big action fast paced feel. Fans of the old show’s tone my think Chris Carter has been replaced by George Lucas or Michael Bay at the helm.

And to quickly address the elephant in the room, I love the new direction of Mulder/Scully. We don’t know if they were ever married at this time. Not even sure we should take David Duchovny’s use of the term at face value.

When we last saw Mulder and Scully they were together.

Since then it appears Mulder’s inability to deal with the world outside the FBI has lead to a dark place. Scully left him. Now he is even more depressed. What is clear?

They are currently apart.

There is a lot of resentment from both sides.

They both still love each other.

Chances are working together on 4 monster of the week episodes will have tons of tension.

But this is far different from the old days when so many were consumed by “Are they together? Are they apart? Where would they be if not for that damn bee?” So many lost way too much sleep on such questions.

Going forward I think Chris Carter is more successful when he collaborates. That’s why we get Glen Morgan, James Wong and Darin Morgan in the next 4 episodes.

I am haunted by the final moments of the episode. I fear we will have to wait till mid March to see the outcome of the long ominous gaze by… well, you will just have to watch in January. Those that have seen it know exactly what I am talking about.

I have an alternate review planned for January 25 that will go into far more detail…

See everyone in DC 10/26!!!

 

 

X-Files News and Duchovniacs present NYCC Comedy Party Friday October 9

Friday 10/9 6pm NYCC Comedy Party co-hosted by X-Files News, Duchovniacs, LMAO Improv and Broadway Comedy Club

Seating is limited (100 guests) so please register early to guarantee your spot. First come seating, all seating is cabaret style (table/chairs) There is a one beverage minimum per guest, however there are numerous happy hour specials

5:30 Doors and Bar open (Cocktail Service)
6-6:30 Welcome plus Trivia with X-Files News and Duchovniacs
6:30 Improv by LMAO: Hosted By Walt Frasier with Laurice Fattal, Patrick Reidy, Andrew Del Vecchio, and Nathan Armstrong
7:20-8pm Panel Discussion

A portion of ticket sales will be donated to St. Jude’s Children’s Hospital

Presented by
X-Files News
Duchovniacs
Broadway Comedy Club NYC

nycc-comedy-Thuoct1st

 

 

2 X-Philes and a Newborn: Død Kalm, Humbug, The Calusari

LONG TIME X-Files fans, Walt Frasier and Laurice Fattal are joined by improv comedian and newborn baby x-phile Patrick Reidy. Together Walt, Laurice and Pat discuss The X-files series and its impact on 1990s memory lane. In this episode we talk about Død Kalm, Humbug and The Calusari

 

The X-Files episode “Død Kalm
Død Kalm

Mulder is ravaged by unnatural aging. Many critics wrote negatively of the make-up effects.
Episode no. Season 2
Episode 19
Directed by Rob Bowman
Teleplay by Howard Gordon
Alex Gansa
Story by Howard Gordon
Production code 2X19
Original air date March 10, 1995
Running time 45 minutes

VIA WIKI
In the Norwegian Sea, chaos erupts on board the USS Ardent, an American destroyer escort. Due to mysterious yet unspecified events, half of the Ardent’s crew board lifeboats and abandon ship against their Captain’s orders. Eighteen hours later, they are spotted by a Canadian fishing vessel; however, in that short span of time, the young crew members have undergone rapid aging.

Dana Scully (Gillian Anderson) and Fox Mulder (David Duchovny) visit the ship’s sole surviving crew member, Lt. Harper, who has been quarantined at the Bethesda Naval Hospital. Scully finds that Harper, despite being in his twenties, has aged to the point of being unrecognizable. Mulder explains that the Ardent vanished at the 65th parallel, a location with a history of ship disappearances. Mulder believes that a “wrinkle in time” exists there, and that the Ardent was the subject of government experimentation related to the Philadelphia Experiment from World War II.

In Norway, Mulder and Scully get Henry Trondheim (John Savage), a naval trawler captain, to take them to the Ardent’s last known location. After crashing into the bow of the Ardent, Mulder, Scully, and Trondheim find signs of advanced corrosion, even though the Ardent is only a few years old. Below decks, the party finds the mummified remains of several crew members. They also find the wizened commanding officer of the Ardent, Captain Barclay, who claims that “time got lost” after his ship encountered a “glowing light” in the ocean. Trondheim’s boat is stolen and his first mate is murdered.

Trondheim is later attacked by a Norwegian pirate whaler named Olafsson, who has not aged despite being on the ship for the past two days. Mulder, Scully, and Trondheim eventually begin to age unnaturally. Scully develops a theory that the Ardent is sailing near a metallic object beneath the ocean, and that it has caused free radicals to rapidly oxidize their bodies and age them. When Mulder notices that the ship’s sewage pipe is the only one not corroded through, the agents realize that something from the ocean contaminated the Ardent’s potable water and led to the aging; Olafsson’s men remained unaffected due to their consumption of recycled water from the sewage system. Desperate to survive, Trondheim kills Olafsson after he reveals the secret, and sets out to keep the water for himself.

Scully learns from blood tests that the contaminated water causes rapid cellular damage and dramatically increases sodium chloride in the body. She tries to ration the drinkable water amongst the three, but discovers Trondheim attempting to hoard what little that remains. Trondheim locks Scully out of the sewage hold, forcing her to use minuscule supplies to keep Mulder alive. The corrosion eventually eats through the ship’s hull, flooding the hold and drowning Trondheim, who cannot seem to lock the door. The agents both lose consciousness shortly before Navy rescuers arrive at their former ship. Scully comes to at the hospital, where she is told that her written observations on the case helped naval doctors reverse their aging and save Mulder from near-certain death. Scully says that she wants to return to the Ardent for more research, but the doctor tells her that the ship sank shortly after their rescue due to the flooding.

Guest actors
  • John Savage as Henry Trondheim
  • Mar Anderson as Halverson
  • Vladimir Kulich as Olafsson
  • David Cubitt as Captain Barclay, US Navy
  • Dmitri Chepovetsky as Lieutenant Richard Harper, US Navy
  • Claire Riley as Dr. Laskos
  • Stephen Dimopoulos as Ionesco
  • John McConnach as Sailor
  • Bob Metcalfe as Nurse
The X-Files episode “Humbug
Humbug

The Conundrum consumes a raw fish.
Episode no. Season 2
Episode 20
Directed by Kim Manners
Written by Darin Morgan
Production code 2X20
Original air date March 31, 1995
Running time 45 minutes

In the town of Gibsonton, Florida one night, two brothers are playing in their home outdoor swimming pool. A mysterious figure approaches them from the woods surrounding their home and jumps into the pool without them noticing. As the brothers play, they notice something is wrong and before they leave the pool, the figure emerges from the water. It’s revealed to be the boys’ father, “Alligator Man”, who scares his sons for fun.

Image result for x-files humbug

After some laughs in the pool, the “Alligator Man” tells his children to go back into the house as it’s late and time for them to go to bed. The boys leave the pool and their father stays behind to swim. An unknown mysterious figure approaches the pool from the woods. It attacks and kills “Alligator Man” in his pool.

Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) travel to Gibsonton to investigate a 28-year series of attacks by an unknown assailant in a community of former circus sideshow performers. They attend the funeral of the “Alligator Man” (who suffered from Ichthyosis). Among the people they meet afterwards are “self-made freaks” human blockhead Dr. Blockhead (Jim Rose) (who interrupted the funeral by hammering a railroad spike into his own chest) and his “geek” sidekick The Conundrum (The Enigma), who will eat anything, but says nothing. The agents also meet former performer Jim Jim, the Dogface Boy, who later became the local sheriff after his face went through hair loss.

Mulder and Scully stay at the Gulf Breeze trailer court, whose name is a reference to the 1987 Gulf Breeze UFO incident, also mentioned in season 1 episode, “Fallen Angel”.[1] Here, they meet the distrustful manager Mr. Nutt (Michael J. Anderson), and Lanny (Vincent Schiavelli), an alcoholic with an underdeveloped conjoined twin named Leonard. The agents hear a story about the legendary Fiji mermaid, a common sideshow act in the 19th century that generally turned out to be a monkey with a fish tail attached—the “humbug” referred to by the episode’s title.[2] Despite Scully’s usual skepticism, Mulder is intrigued because of what look like simian tracks left by the mystery attacker.

One night, Mr. Nutt is fatally attacked by a creature. The agents eventually discover that the attacker is Lanny’s twin, Leonard, who is able to detach himself from Lanny’s body. According to Lanny, Leonard attacks people and attempts to burrow into them because he is looking for a new brother to replace Lanny, who is dying from liver failure due to years of alcohol abuse. Lanny voluntarily locks himself in the local jail in an effort to keep Leonard from escaping, but dies during the night, and Leonard is able to slip through the bars on the cell window and flee. Mulder and Scully try to capture Leonard, who goes inside a funhouse, but he manages to get away. Upon leaving the funhouse, they find The Conundrum lying on the ground, rubbing his stomach, apparently having been attacked by Leonard. As Dr. Blockhead prepares to leave town with The Conundrum the following morning, he comments to Scully that with modern science eradicating genetic anomalies, it will be up to self-made freaks like him to remind people that “nature abhors normality.” The Conundrum looks unwell and Mulder asks what the matter is. The Conundrum — in his only line of the episode — replies, “probably something I ate.”[3] As Dr. Blockhead drives away with The Conundrum, Mulder and Scully turn to each other with confused and somewhat shocked expressions.

Guest actors

 

The Calusari
The X-Files episode
Episode no. Season 2
Episode 21
Directed by Mike Vejar
Written by Sara Charno
Production code 2X21
Original air date April 14, 1995
Running time 44 minutes

In Murray, Virginia, the Holvey family visits a local amusement park. When the youngest child, Teddy, lets his balloon fly away, his father, Steve, gives him the balloon that belongs to his older brother, Charlie (Joel Palmer). When the boys’ mother, Maggie (Helene Clarkson), is in the bathroom, the strap in Teddy’s stroller comes undone. Teddy follows the balloon floating under its own power out of the restroom and onto the tracks of the park’s tour train, leading to his death. Charlie is the only member of the Holvey family not to grieve Teddy’s death at the scene.

Three months later, Fox Mulder (David Duchovny) shows Dana Scully (Gillian Anderson) a photo taken moments before Teddy’s death, showing that the balloon moved horizontally against the wind. Chuck Burks (Bill Dow), a digital photo expert, uses software to uncover evidence of electromagnetic disturbances in the shape of a child, holding the balloon. During a visit by the agents, the Holveys adamantly dispute Mulder’s theory that Teddy was led onto the tracks. Scully sees Golda (Lilyan Chauvin), Maggie’s elderly Romanian mother, drawing a swastika on Charlie’s hand. Scully theorizes that the Holvey children may be victims of Munchausen by proxy, perpetrated by their grandmother. At a meeting with Steve Holvey, he explains that Golda was against his marriage to Maggie, and that strange things began to happen when Teddy was born and Golda came to live with the family. Steve hints that Golda might be hurting Charlie, leading Scully to suggest that they visit a social worker named Karen Kosseff (Christine Willes). While preparing to take Charlie to a session with Kosseff, Steve is strangled when his tie is caught in the seemingly-malfunctioning garage door. Charlie, having been mysteriously locked in the car, starts crying over his father’s death.

Investigating Steve’s death, the police find evidence of the ritualistic sacrifices in Golda’s room. Mulder finds a film of fine dust in the garage, which Chuck identifies it as vibhuti, a residual sign of spiritual energy. Golda and three elderly Căluşari mystics conduct a ritual in her room. Meanwhile, during Charlie’s appointment with Kosseff, the child goes into convulsions. Kosseff and Maggie see smoke coming from under Golda’s door, coming across their ritual. Maggie is horrified, and forces the old men to leave the house. However, Golda grabs Charlie and pulls him into her room in an attempt to complete the ritual. However, Charlie quickly gains the upper hand and brings a pair of dead chickens back to life and makes them kill her.

When Kosseff asks Charlie about the incident, he insists that he was not in his grandmother’s room, and that it was a boy named Michael. Maggie is terrified at the claim, explaining to the agents that Michael was Charlie’s stillborn twin, about whom she and Steve agreed to never tell Charlie. Maggie also explains that Golda had told the parents that a ritual should be performed to separate the spirits of the twins, but Steve refused. Charlie has another seizure and is hospitalized. Michael knocks out the nurse and afterward convinces Maggie, by pretending to be Charlie, to take him home. Scully sees them leaving, and checks on Charlie. They find the nurse and Charlie still in the hospital room. Mulder, now convinced that Michael’s spirit is behind the killings, sends Scully to the Holvey residence to stop him.

Maggie tries to complete her mother’s ritual, but Michael tries to intervene. Back at the hospital, Mulder joins the Căluşari as they perform an exorcism on Charlie. As Mulder helps with the ritual, Scully arrives at the Holvey house, and finds Maggie being attacked by Michael. Scully is tossed across the room by an unseen force. Just as Michael is about to stab Scully, the exorcism ends, and Michael’s spirit disappears, sparing both Scully and Maggie’s lives.[1] Maggie returns to the hospital and is reunited with Charlie. Before the agents leave, the head elder of the Căluşari says it’s over for the time being and cautiously forewarns Mulder that “it knows you.”

Guest actors
  • Joel Palmer as Charlie/Michael Holvey
  • Lilyan Chauvin as Golda
  • Helene Clarkson as Maggie Holvey
  • Ric Reid as Steve Holvey
  • Oliver and Jeremy Isaac Wildsmith as Teddy Holvey
  • Christine Willes as Karen Kosseff
  • Bill Dow as Charles Burk
  • Kay E. Kuter as Head Calusari
  • Jacqueline Dandeneau as Nurse Castor
  • Bill Croft as Calusari No. 2
  • Campbell Lane as Calusari No. 3
  • George Josef as Calusari No. 4

 

David Duchovny and Mitch Pileggi Q&A at Wizard Con

With a great panelist and amazing fans, the moderator had it easy!!!!

Thanks for posting these, Gina
https://www.youtube.com/user/dmbgal07

 

 

 

NEW X-FILES PODCAST: 2 X-Philes and a Newborn: Irresistible, Die Hand Die Verletzt, Fresh Bones

 

Episode info from WIKI CLICK HERE for MORE

Irresistible

Irresistible1

In Minneapolis, a funeral is held for a young girl. The ceremony is observed by Donnie Pfaster, the eerie assistant director for the funeral home. Later that night, as the girl’s body is being stored for burial the following day, Pfaster’s boss finds him cutting off the corpse’s hair. Pfaster is promptly fired.

Irresisitibledf

 

Some time later, Fox Mulder and Dana Scully are summoned to Minneapolis by Moe Bocks, an FBI field agent who is investigating the exhumation and desecration of a body in a local cemetery. Mulder discounts Bocks’ theory that this act is a variation of extraterrestrial cattle mutilation, and suggests they search for a human culprit. Scully is disturbed at the sight of the disheveled corpse. Two more bodies are found exhumed, with their hair cut and fingernails removed. Mulder develops a psychological profile of the criminal, believing him to be an escalating “death fetishist” who may resort to murder to satisfy his desires. Scully keeps her discomfort with the case to herself, and writes up a field report on necrophilia.

irresistable

Pfaster, who was behind the exhumations, proves Mulder’s prediction correct when he brings a prostitute to his apartment. When the prostitute discovers a collection of funerary wreaths in Pfaster’s bedroom, he kills her and removes her fingers. Later, Pfaster—having been hired as a frozen food delivery man—meets an appointment at a house, where he steals cut hair from the bathroom. Pfaster attends a night class at a community college, where a female classmate defends herself after he makes threatening advances. He is arrested and is placed in a jail cell across from a suspect being interrogated by Mulder, Scully, and Bocks. Pfaster learns Scully’s name from the suspect after they leave. He is later released.

Irresistible

Scully is deeply troubled by Pfaster’s crimes, and has unsettling hallucinations about the case. In Washington, she has a counseling session with a social worker, during which she shares her anxiety about the investigation. After the session, Scully learns that someone from Minnesota had called for her. When she contacts Mulder, she learns that neither he nor Bocks made the call. Tracing a fingerprint to Pfaster from his arrest, Bocks and Mulder raid his apartment, finding one of the prostitute’s fingers in his refrigerator. Meanwhile, after Scully arrives in Minneapolis, Pfaster forces her car off the road. He kidnaps Scully and takes her to his late mother’s abandoned house, where she is tied and gagged in a closet.

x-files-irresistible-hug

Mulder and Bocks discover that Pfaster’s mother had owned a car which matches paint found on Scully’s, tracking down her former residence. Meanwhile, Scully escapes from Pfaster as he prepares a bath for her, resulting in a pursuit through the house. Scully and Pfaster have a struggle that sends them falling down a staircase onto the foyer, where a task force led by Mulder and Bocks breaks in moments later and apprehends Pfaster. Scully initially insists that she is okay, but then breaks down and cries in Mulder’s arms. In a voice-over narration, Mulder traces Pfaster’s pathology to his childhood, when he was raised in a family of four older sisters. Mulder also reflects on Pfaster’s nature and the nature of evil in general.

 

Episode no. Season 2 Episode 13
Directed by David Nutter
Written by Chris Carter
Production code 2X13
Original air date January 13, 1995
Running time 45 minutes
Guest actors

 

 

Die Hand Die VerletztDiehand

In fictional Milford Haven, New Hampshire, a group of high school faculty members meet to discuss various social events. The adults initially appear to be socially conservative, debating whether students should perform the musicals Grease and Jesus Christ Superstar. However, when the group ends the meeting in a prayer, they recite a Satanic chant.

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Later, a group of students go out into the woods at night to play with black magic. The experiment causes unexplainable things to happen, causing all but one of the teenagers to flee. The one teen’s mutilated body is discovered the next day, leading Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) to investigate. Locals—including the faculty members—claim that the children have unleashed a demonic force with their rituals; the theory which is given validity by strange occurrences, such as frogs falling from the sky and water in the drinking fountain draining counter-clockwise, contrary to the Coriolis effect. Unknown to the agents, substitute teacher Mrs. Paddock (Susan Blommaert) is behind the murder, keeping the eyes and heart of the victim in her desk. One of the faculty members, Jim Ausbury (Dan Butler) suspects one of his colleagues killed the boy, but the others believe it was an outside force. Ausbury’s stepdaughter, Shannon (Heather McComb), suffers a breakdown during science class while dissecting a hog fetus.

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Meeting with Mulder and Scully, she tells them that Ausbury raped and impregnated her as part of a Satanic ritual, sacrificing their babies. When the agents confront Ausbury with the accusations, he angrily denies them. Shannon stays after school to make up her assignment of dissecting the pig. Mrs. Paddock takes her bracelet and uses it as part of a spell that causes Shannon to slit her wrists. When Ausbury learns that the other faculty members plan to use Shannon as a scapegoat, he admits the sect’s existence to Mulder. He confirms Shannon’s memory of the rituals, but exposure to sensational media coverage led her to “remember” the sexual abuse. Meanwhile, Scully researches Mrs. Paddock and finds that no one knows anything about her or her background. During a sudden power outage, Mrs. Paddock steals Scully’s pen and uses it to impersonate her in a call to Mulder, pretending to be in trouble. Mulder handcuffs Ausbury in the basement to prevent his possible escape, then leaves to search for Scully. Soon after, a giant snake appears and devours Ausbury.

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Mulder arrives at the school, where Scully claims that she never called him. They find Mrs. Paddock seemingly attacked by the remaining faculty members, and go to search for them. The faculty members capture the two agents, convinced that they need to perform a sacrifice to regain favor with the Devil and make up for their diluted faith before it is too late. As they are about to kill Mulder and Scully, Mrs. Paddock causes them to instead kill themselves, confirming that their attempt was indeed too late. The agents escape their bonds and find Mrs. Paddock missing, with only a parting message on the chalkboard stating, “Goodbye. It’s been nice working with you.”

Episode no. Season 2
Episode 14
Directed by Kim Manners
Written by Glen Morgan
James Wong
Production code 2X14
Original air date January 27, 1995
Running time 45 minutes
Guest actors
  • Susan Blommaert as Phyllis H. Paddock
  • Dan Butler as Jim Ausbury
  • Heather McComb as Shannon Ausbury
  • P. Lynn Johnson as Deborah Brown
  • Shawn Johnston as Pete Calcagni
  • Travis MacDonald as Dave Duran
  • Michelle Goodger as Barbara Ausbury
  • Larry Musser as Sheriff John Oakes
  • Franky Czinege as Jerry Thomas
  • Laura Harris as Andrea
  • Doug Abrahams as Paul Vitaris

 

Fresh Bones

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In Folkstone, North Carolina, Jack McAlpin, an agitated Marine Corps private, drives his car into a tree after several hallucinatory episodes and is apparently killed. On the tree is a veve, a drawn voodoo religious symbol.

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McAlpin is the second purported suicide among troops stationed at an INS compound processing refugees from Haiti. Fox Mulder and Dana Scully visit the compound to investigate McAlpin’s death. There, a young boy named Chester Bonaparte sells a good luck charm to Mulder. After meeting with Colonel Wharton, head of the compound, Mulder meets with an imprisoned refugee, Pierre Bauvais, and an associate of McAlpin’s, Harry Dunham. When Scully attempts to perform an autopsy on McAlpin’s body, she finds a dog carcass in its place at the morgue.

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While driving down the road, Mulder and Scully discover a still-living McAlpin, who doesn’t remember what has happened to him. Tetrodotoxin, a chemical Mulder believes is part of Haitian zombification rituals, is found in McAlpin’s blood. The agents go to the local graveyard to investigate the corpse of the other dead soldier, but find the grave robbed. They also find Chester, who collects frogs at the cemetery and sells them to Bauvais. Dunham approaches Mulder, telling him that Wharton has begun abusing the refugees as a means of retaliation against Bauvais; Wharton denies the accusations, but later has Bauvais beaten to death.

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Scully cuts her hand on the thorn of a twig left in her car. When she drives off, a veve is seen on the ground under her car. Mulder has a meeting with X, who tells him that he and Scully will soon be called back to Washington and that the camp will be restricted to military personnel only. Mulder believes Wharton is persecuting the refugees after the suicide of some of his men during a previous trip to Haiti. Scully finds Dunham dead in a bathtub, and Mulder catches McAlpin with a knife nearby. Although he has no recollection of the event, McAlpin confesses to the murder under the influence of Wharton, who tells the agents that Bauvais committed suicide and that their investigation is over.

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McAlpin’s wife provides the agents with a photo of Wharton with Bauvais in Haiti, causing the agents to go through his office. They find that both Dunham and McAlpin had filed complaints against Wharton over his treatment of the detainees. The agents head to the cemetery, where Wharton is performing a voodoo rite over Bauvais’ coffin. When Mulder confronts him, Wharton harms him through sympathetic magic. Meanwhile, in a hallucinatory episode, a man emerges from the small cut in Scully’s hand and strangles her, but the illusion disappears when she grabs the charm Chester sold them. Bauvais appears and stops Wharton by blowing zombie powder in his face. Scully arrives to assist Mulder and pronounces Wharton dead.

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The next day the agents say goodbye to McAlpin, who reveals that Chester was a boy who had died in a riot six weeks earlier. The episode ends with Wharton being unwittingly buried alive by the graveyard watchman.

 

Episode no. Season 2
Episode 15
Directed by Rob Bowman
Written by Howard Gordon
Production code 2X15
Original air date February 3, 1995
Running time 45 minutes
Guest actors

X-Files Podcast Season 2 discussing Red Museum, Excelsis Dei and Aubrey

Listen to Walt, Laurice and Pat discuss the three episodes. Read along with trivia and information below. Celebrating 25,000 users and growing daily.

SEASON 2 EPISODE 10 Red Museum
Originally aired December 9, 1994
Written by Chris Carter
Directed by Win Phelps

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WIKI -Fox Mulder and Dana Scully are called in to investigate a number of kidnappings in Delta Glen, Wisconsin where local teenagers are recovered half-naked and drugged with either the phrase “He is one” or “She is one” written on their backs. Meeting with Sheriff Mazeroski, the agents initially suspect a nearby cult, the Church of the Red Museum, which was founded by vegetarian Richard Odin. Mulder, Scully and Mazeroski attend a ceremony of the Red Museum, causing Mulder to believe that they are walk-ins, people whose souls have been taken over by someone else. One of the kidnap victims claims to have felt an animal spirit enter him.

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The girlfriend of Mazeroski’s son, Rick, is the latest to be found, and her blood is found to contain an unknown alkaloid substance and high levels of scopolamine, a controlled substance. This appears to link her to Odin, a former doctor. Meanwhile, the agents meet an old man who points to a pair of men injecting growth serum into cattle, which he believes is at the cause of the trouble. That night, local doctor Jerrold Larson is killed in a plane crash. An investigation of the site turns up shipping orders that trace back to the kidnapped teens. One of the men injecting the cows is murdered by the Crew Cut Man. The other, a peeping tom named Gerd Thomas, is revealed to be the kidnapper after the agents find a hidden supply of videotapes in the home of one of the victims. Thomas claims that Larson had been turning the children into “monsters” with the drugs he had been injecting in them, which he claims to be unknown.

David Duchovny (Agent Fox Mulder), Gillian Anderson (Agent Dana Scully)

David Duchovny (Agent Fox Mulder), Gillian Anderson (Agent Dana Scully)

Meanwhile, Rick is murdered by the Crew Cut Man. Having passed by him on the road, Scully recognizes him as the assassin who killed Deep Throat. Her toxicology results on the victims show what she thinks is the mysterious substance known as “Purity Control”. Mulder theorizes that Larson had been injecting the children with alien DNA, and convinces Mazeroski to round up all of the children who had been receiving treatment from Larson and hide them with the Church of the Red Museum. Mulder tracks the Crew Cut Man down at a beef processing plant that he is about to destroy. While Mulder wants him alive, Mazeroski kills him as revenge for Rick’s murder.

Scully reports that the Crew Cut Man had no records on file with the FBI or other agencies. The material injected into the cows and children is found to be an unknown substance. All the children who were inoculated came down with a flu-like illness while those in the Church of the Red Museum did not, causing her to think they were a control group. Scully declares the case open and unsolved.

Guest actors

SEASON 2 EPISODE 11 Excelsis Dei
Originally aired December 16, 1994
Written by Paul Brown
Directed byStephen Surjik

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WIKI – Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are called to the Excelsis Dei private nursing home in Worcester, Massachusetts in order to investigate a nurse’s claim that she was raped by an invisible entity. Severely bruised, Michelle Charters (Teryl Rothery) claims that she knows who was responsible and names the attacker as Hal Arden, an elderly resident of Excelsis Dei. When questioned, Arden admits that he made sexual overtures to her, but claims that it was harmless and that he is too elderly to have done anything.

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As Mulder and Scully investigate, they discover a Malaysian orderly is illicitly giving the patients an herbal drug made of mushrooms he cultures in the building’s basement. The drug cures their Alzheimer’s, but also allows them to see the spirits of people who have died in the nursing home and channel them into existence. In this state, the spirits assault and murder the orderlies that have looked down on them and treated them poorly while they were patients. When a patient overdoses on the drug, the spirits once again attack Charters, trapping her and Mulder in the bathroom, which begins flooding.

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As Scully and the home’s head doctor manage to stop the patient’s seizures, the spirits disappear and the bathroom door gives way, freeing Mulder and Charters. The government of Massachusetts takes over the facility, and the orderly supplying the medicine is turned over to immigration services. The remaining original patients, no longer having access to the drug, revert to their previous state of dementia.

Guest actors

 

SEASON 2 EPISODE 12
Originally aired January 6, 1995
Written by Sara B. Charno
Directed by Rob Bowman

WIKI – In the town of Aubrey, Missouri, local detective B.J. Morrow tells Lt. Brian Tillman (Terry O’Quinn) that she has gotten pregnant from their affair. He requests she meet him at a motel later that night. While waiting for him, B.J. has a vision that leads her to a field where she digs up the skeletal remains of an FBI agent.

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Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) head to Aubrey, where the remains are identified as belonging to Agent Sam Chaney, who disappeared in the area with his partner, Tim Ledbetter, in 1942. The agents find discrepancies in B.J.’s story, but Tillman comes to her defense. Mulder tells Scully of the case Chaney and Ledbetter were investigating, which involved the rapes and murders of three women with the word “Sister” slashed on their chest. Discovering similar cuts on Chaney’s chest during the autopsy, B.J. instinctively realizes that the cuts spell the word “Brother.” B.J. admits her affair and pregnancy to Scully.

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Tillman reveals that a new murder has occurred where a woman had the word “Sister” slashed on her chest. B.J. claims to have seen the victim in her dreams, which involve a man with a rash on his face and a monument that Mulder recognizes as the Trylon and Perisphere from the 1939 New York World’s Fair. Searching old mugshot photos, B.J. recognizes the man from her dream as Harry Cokely, who was arrested for raping a woman named Linda Thibedeaux and slashing “Sister” on her chest. Scully believes that B.J. unconsciously recalled the case since her father was a cop and may have discussed it. The agents visit the now-elderly Cokely, who now lives alone after being released from prison. Cokely insists he was at home when the latest murder occurred.

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B.J. awakens from a nightmare covered in blood, finding the word “Sister” slashed into her chest. She also sees a young Cokely in the mirror. She heads to a basement and tears away the floorboards, revealing a body within that is found to be Ledbetter’s. Cokely is arrested, but denies attacking B.J. Scully tells Mulder that blood on the latest victim matches Cokely’s. The agents visit Thibedeaux, who describes her encounter with Cokely in the 1940s. Mulder notices a photo of her at the 1939 World’s Fair featuring the Trylon and Perisphere. When pressed, she reveals that the rape resulted in a child, which she put up for adoption. The FBI tracks down the child, who turns out to have been B.J.’s father, causing Mulder to surmise that B.J. is the killer and may be operating on genetic memories.

As the agents are on their way to intercept her, BJ attacks Thibedeaux, but stops when she sees the “Sister” scars on her chest. The agents find Thibedeaux after BJ has left, and head to Cokely’s house, believing him to be her next target. BJ, who has already arrived, cuts Cokely’s respirator and attacks him with a razor. When the agents arrive BJ attacks Mulder but when Cokely dies she stops. BJ is placed in Shamrock Women’s Prison Psychiatric Ward where she is put on suicide watch after attempting to self-abort.

Guest actors

 

Listen to our full series at SOUND CLOUD or DOWNLOAD via ITUNES

2 Philes and a Newborn X-Files Season 2 rewatch Little Green men, Host, Blood

And now on to X-Files Season Two. We finally meet X and get work from Darin Morgan (as the Fluke man as well as contributing top the story creation of Blood). Walter Skinner and CSM start to take a much bigger role as do the Lone Gunmen.

AND NOW 2 Philes and a Newborn Season 2.1
Walt, Laurice and Pat discuss Little Green Men, Host, Blood as well as other news and trivia including more Chicago Hell or Highwater adventures.

See Walt, Laurice and Pat LMAO Off Broadway Improv Comedy Show www.8improv.com

Season 2 Episode 25 Little Green Men
Originally Aired September 16, 1994
Written By Glen Morgan, James Wong
Directed by David Nutter

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WIKI – In the episode’s prologue, Fox Mulder narrates a history of NASA’s Voyager program and the now-defunct High Resolution Microwave Survey, which sought to contact extraterrestrial life in outer space. At the Survey’s abandoned observatory in Arecibo, Puerto Rico, the equipment inside suddenly activates, indicating a response from an alien intelligence.

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Since the closure of the X-Files, the FBI has reassigned Mulder to a low-level wiretap while his former partner, Dana Scully, has returned to teaching at the FBI Academy. The two have a discreet meeting at the parking lot of the Watergate Hotel, where Mulder admits that he has been doubting his belief in the paranormal since Deep Throat’s assassination. Mulder flashes back to the night when his sister, Samantha, was abducted.

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Mulder is summoned to a meeting with Richard Matheson, a U.S. senator who is a patron for his work. Matheson directs Mulder to Arecibo, assuring the agent that he will try to hold off a Blue Beret UFO retrieval team said to be headed there in twenty-four hours. Mulder arrives at the Survey station, where he finds a frightened Puerto Rican man, Jorge, who draws a picture of an alien that he claims to have seen. Meanwhile, Scully, unaware of Mulder’s whereabouts, tries to find him. Reviewing a list of flights from Washington, Scully tracks Mulder down to Puerto Rico.

Mulder discovers a signal, possibly originating from an extraterrestrial intelligence. During a storm, Jorge gets scared and runs outside. Mulder finds him dead of fright. When Scully goes to an airport to fly to Puerto Rico, she realizes she’s being tracked by a couple, but manages to escape from them. Meanwhile, as Mulder investigates Jorge’s corpse, the room shakes. The door opens and the shadowy figure of an alien appears. Scully wakes Mulder up the next morning, finding him excited about the readouts and tapes of the signals—the proof of aliens he has sought for so long. However, the Blue Beret team arrives, forcing them to flee with only a tape reel.

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Upon his return to Washington, Mulder is admonished by Assistant Director Walter Skinner and the Smoking Man for his actions. Mulder claims he still had enough evidence with the days missed to prosecute the subject of his assigned wiretap, and that his own phone calls were being monitored. Skinner demands that the Smoking Man leave the room, and decides to not discipline Mulder. Investigating the tape reel, Mulder finds it blank due to a power surge during the storm.

Guest actors

Season 2 Episode 26 The Host
Originally Aired September 23, 1994
Written By Chris Carter
Directed by Daniel Sackheim

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WIKI On a Russian freighter off the coast of New Jersey, a crewman trying to fix the ship’s toilets is pulled into the septic system. His half-eaten body appears in the sewers of Newark days later. Fox Mulder is assigned the case and visits with a Detective Norman in Newark, being shown the still-unidentified body. Mulder angrily confronts Assistant Director Walter Skinner, feeling he has been given the seeming “wild goose chase” as a form of punishment.

That night, Mulder talks to Dana Scully, telling her that he’s thinking of leaving the FBI. He shoots down Scully’s idea that he request a transfer to Quantico, believing the FBI doesn’t want them working together. Scully performs the autopsy on the crewman’s body, finding a Russian language tattoo on his arm and a flukeworm inside his back.

In Newark, a city worker named Craig is pulled underwater in the sewers but is rescued by his co-worker. He believes he was attacked by a python. He decides to visit a doctor (with Mulder observing) and complains of a weird taste in his mouth. An abnormal four pointed wound appears on his back during a medical examination in Sayreville, New Jersey. Scully shows Mulder the flukeworm she found, whose mouth, though much smaller, matches the wound on the city worker’s back. Mulder receives a call from a mysterious man telling him he has a friend at the FBI. That night, the city worker coughs up a flukeworm in his shower and dies. Mulder visits a sewage processing plant and finds a large humanoid with a fluke-like mouth.

At Quantico, someone slips a newspaper article under Scully’s door enabling her to identify the original body as a crew member on a Russian ship. Mulder and Scully meet at the processing plant and they look at the strange, fluke-like man. Skinner wants to prosecute the creature and subject it to a psychiatric evaluation, which Mulder thinks would be difficult. Skinner tells Mulder of Craig’s death and admits that this would have been an X-File had they still been open.

That night workers put the flukeman into a U.S. Marshal’s van, but it kills the driver and escapes to a local campsite. The flukeman hides in a portable toilet and is pulled into a truck the next day when the toilet is drained. Mulder receives another phone call from the mysterious caller. When he questions Scully about it, she denies any involvement. The flukeman is brought back to the processing plant. Scully believes that the flukeworm she found in the body is a larva, attempting to reproduce. One of the men at the processing plant is pulled underwater by the flukeman while investigating a storm drain overflow. Mulder heads in and saves him, apparently killing the flukeman by closing a sewer grate on it, slicing it in half. Scully concludes her investigation, thinking that the creature was brought to the U.S. by a Russian freighter that was hauling salvage from Chernobyl, and that the creature was created in a ‘soup’ of radioactive sewage. Elsewhere, the flukeman’s remains open its eyes.

Guest actors

Season 2 Episode 27 Blood
Originally Aired September 30, 1994
Story By Darin Morgan
Teleplay by Morgan & Wong
Directed by David Nutter

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WIKI In Franklin, Pennsylvania, postal worker Edward Funsch (William Sanderson) is informed that he will be fired at the end of the week due to budget cuts. Afterwards, Funsch sees the words “Kill ‘Em All” on his machine’s digital display. At Franklin’s civic center, a middle-aged man in a crowded elevator sees “No Air” displayed on the elevator’s LED display, and is the only one who can see the message. Sweating and obviously claustrophobic, he again glances at the LED display. This time it flashes the words “Can’t Breathe” and then “Kill ‘Em All.”

Agent Fox Mulder arrives at the civic center after what looks like a massacre; bodies lie on the sidewalk and in the foyer. Sheriff Spencer (John Cygan) explains that the suspect murdered four people from the elevator with his bare hands. His rampage ended when he was shot by a security guard. Spencer notes that seven other individuals have murdered twenty-two people in Franklin in the past six months. Mulder discovers that the LED display in the elevator has been damaged, and that the dead suspect has a green residue on his fingertips.

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At the FBI Academy, Dana Scully reads Mulder’s initial report. The only connection between the murders that he can see is that the suspects all destroyed an electronic device during the killings. Meanwhile, Bonnie McRoberts, another Franklin resident, drops by a repair shop to pick up her car, where a message on an engine diagnostic display warns her that the mechanic is going to rape her. She impulsively kills him with an oil can spout. When Mulder and Spencer question her the next morning, her kitchen microwave instructs her to kill them. When she grabs a knife and attacks Mulder, she is shot and killed by Spencer.

Scully performs an autopsy on McRoberts’ body and discovers signs of phobia including high levels of adrenaline and the same substance found on the elevator killer. She hypothesizes that the substance, when combined with other neurochemicals, produces an LSD-like reaction. While Mulder and Scully build a case, Funsch becomes more psychotic, continuing to see violent messages on electronic gadgets. Blood is associated in some way with each incident; a volunteer asks Ed to donate blood at a department store and seconds later he sees violent images, including a video of the 1993 Waco siege burning, flash across a sales display of TV sets, followed by a message to get a gun from the sporting goods department.

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Late at night, while investigating an orchard, Mulder is sprayed by a crop-dusting helicopter and ends up in the hospital. There, Mulder sees the message “Do It Now” on a TV and realizes that when people exposed to the pesticide, which contains a chemical called LSDM designed to provoke fear in insects, see these subliminal messages, their phobias are exacerbated enough to cause them to kill. Eventually, after being confronted, the city councilman agrees to stop the spraying and blood test the community under the guise of a cholesterol study. Mulder and Scully, reading that Funsch has not been tested yet, arrive at his house to find it strewn with smashed electronic devices. Mulder deduces that blood is Ed’s phobia and that he has seen the subliminal messages, and an empty rifle case signals that Funsch is going to act on his paranoia. Funsch positions himself at the top of a clock tower overlooking a blood drive and begins shooting randomly. Mulder climbs up to Funsch and overpowers him; Funsch is taken away on a stretcher. Mulder makes a call to Scully and sees the message “All done. Bye Bye!” on his cell phone display. Scully calls out to Mulder but he is speechless.

Guest actors

ALL DONE

BYE BYE

 

WHO’s BEHIND THE MIC in our PODCAST:

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nyitevents

If you have not heard our SEASON ONE Podcasts listen here…

96 hours of Duchovniacs in Chicago – PART TWO SATURDAY at BUB’s

Ok, it’s now SATURDAY… (CHECK OUT FRIDAY ROAD STORIES HERE)

David and ThinkSay added a last minute concert Saturday. Most of us found out about this on Thursday while travelling to Chicago. Some of us were able to stay, others were locked into travel plans.

REVIEW OF HELL OR HIGHWATER

The others went to breakfast while I slept off a few pints and other things. They brought me back a monstrous pile of leftovers. We dropped a few Duchovniacs at the airport and then on to our new hotel for a nap. As I woke I mumbled, I’m going to wear the OTHER Hell or HighWater t-shirt.

I want to put up posters of this image to promote the concert that say “HAVE YOU SEEN THIS BOY?”  It kind of looks like a milk carton photo, right?  We set out for Bub City around 5pm. My GPS was being a BYATCH so another set up her phone. Siri took us west to the burbs. Something seemed off.

We hit a huge pothole and some unexpected hidden speed bumps. I screamed louder than anyone else.  Everyone in the car felt some ribs were cracked. Twenty minutes later…

Siri “Your destination is approaching on your right.”

Backseat Duchovniac “I think I will run to that Family Dollar store”

I SCREAM: “We’re at Bub’s fucking Fried Chicken.”

We went to the wrong Bub’s. This Bub’s was a fast food joint in the hood. Kids went running by with a Little Caesar’s pizza box. “Home of the Krunch Chicken!”

I got out of the car so fast to take this photo everyone else in the car feared I had not even put car in park. Turns out we were still 40 minutes from the right Bub’s. We navigated through closed streets and horrible Chicago traffic.

We finally end up at the right Bub’s. When I got out of the car to give the keys to the valet, several guests eating dinner outside stared at my HOHW tshirt. We sit down in the dining room for dinner and desert. Then drinks at the bar. It’s only 8:30. Basically until showtime we were herded like cattle by staff. They were not prepared for Duchovniacs..

We met some new friends. I am down front with the Duchovniacs holding a pitcher of beer. We had glasses but somehow staff cleared those. Four us took a corner. I had most of it. I think I sang louder than usual… 

SHOWTIME

Yeah, that happened… David looks right at me “You know all the words?” I think it was a question. Maybe a statement. Honestly I faked it well. I’m usually horrible with lyrics..as this next terrible (meaning my video quality) shows. It wasn’t until I rewatched that when I  realized I was singing ‘Passenger in my car..” up an octave. Loudly, making David look at me and then then point and nod. 

At some point some dolled up young ladies tried to get to the front of the crowd. I stopped them by asking “Are you with the band?”  At that very same time, David was talking to me again. Everyone in Chicago noticed but me.  “WALTER!!” screamed everyone. I turned to David. “Sorry, sir. Won’t happen again.” He was noticing my T-Shirt of his 10 year old face and my pitcher of beer. So cool…So embarrassing.

Of course, Positively Madison Avenue was the closer. Did I mention how much I love Pat?

We went back to our hotel, exhausted. Woke up the same way and drove back to NYC. Meanwhile…

Quick side note, to all those that want to know, we are all fine. There was some drama Saturday night not worth recapping here.  Nothing to do with David or his team. It seemed like the venue was unprepared for the crowd and that lead to some anger and sorrow… Enough said here. Lets focus on the fun and positive!

I do want to commend the venue for reaching out to me and apologizing to the fans. Much appreciated. I hope all that were affected by the down side of Saturday night join me in looking past anything negative and focus on the awesomeness!!!

Thank you to Brad and all the team at THINKSAY RECORDS for making this weekend possible. It was a real treat for fans.

You can read a few juicy details via my twitter though @waltfrasier Follow me and join the party! There is some news, sort of…  

INDEPENDENT: The X-Files creator Chris Carter on government conspiracies and paranormal experiences

Have not done this in a while – post articles form the internet… BUT this is the first in a while of substance and not just paprazzi or tabloid crap… Great article to follow and worth the read. Go to the website for more photos…

The X-Files creator Chris Carter on government conspiracies and paranormal experiences

via INDEPENDENT.co.uk

FROM Sunday 26 July 2015

It’s a broiling hot July morning in Neuchâtel, Switzerland, and Chris Carter, creator of The X-Files, is patiently giving me an interview in the basement cafe at the Théâtre du Passage, the home of the Neuchâtel International Fantastic Film Festival. By rights, he shouldn’t be here at all. The Californian is midway through shooting a new six-part season of the show that originally ran from 1993 to 2002. He has left Mulder (David Duchovny) and Scully (Gillian Anderson) back in Vancouver, where the team has recently finished the second episode, to come to Switzerland. He promised that he would attend the festival and is not the type to break his promise.

Carter confides that he has had only four hours’ sleep and that he is continuing to tweak scripts and to respond to notes from his colleagues in Vancouver, even as he attends to his duties at the festival. “We’ve just got our sea legs as it were,” Carter says of the resumption of The X-Files after such a long lay-off. The series has been customized for the Obama era and will feature plenty of references to Edward Snowden, WikiLeaks and Julian Assange.

The original series thrived on conspiracy theories and shadowy behaviour from the US security agencies. “You can imagine I was the least shocked person in the world,” Carter reflects on recent revelations about US government-sanctioned eavesdropping and cover-ups. “It is not surprising to me at all… those assertions and allegations are what I think The X-Files was built on.”

In the new series, Carter promises that he and his team will “monkey” with The X-Files mythology “and give you a spin and twist on that”. There will be a combination of what he calls mythology episodes and the stand-alone “so-called monster episodes”. Six episodes doesn’t seem that much of a stretch, given that the first season of The X-Files consisted of 25 episodes, shot over a year, and the second season was 24.

“When you shoot six, you think it is going to be a piece of cake. That isn’t the case,” Carter sighs. “It will take eight months of our lives, so it is an enormous undertaking, even though it seems like only a slice of what we had previously done.”

Back in the show’s prime, it was Carter’s job to keep The X-Files“oiled and running” and to ensure that the bosses at Fox, from owner Rupert Murdoch downwards, were happy. Murdoch attended the screening of the pilot episode (“I’ve had very little contact with him, but the first thing he ever said to me was ‘I like your TV shows’”).

The stress factor was enormous. He was responsible for keeping the series “fresh” and delivering the ratings that Fox craved. The gratification came from knowing that massive audiences (30 million for one episode broadcast after the Super Bowl) were watching and enjoying his work. It is also a huge source of pride that  The X-Files was deemed worthy of spoofing on The Simpsons. He still has a signed photograph from the Simpsonscreator Matt Groening on his wall. “To make The Simpsons is to make the big time,” he declares, with surprising solemnity.

Carter seems a glutton for punishment. As he acknowledges, the old X-Files would demand his full commitment for 11-and-a-half months of the year. “It was as much work as you could possibly do. You worked from the moment you woke up until the moment you went to sleep. There was very little time even to stop to get a sense of how you were doing, or what you were doing.”

Why put himself through the grinder all over again? “The central reason is the esprit de corps. That is the reason to come back and do it again,” Carter says. “When you have a group of people working together, who all contribute to make it better, that is something. If you have never experienced it, that is somewhat miraculous. It is stepping into new shoes. That is not to say that the new shoes fit on arrival.”

In the years when The X-Files was off-screen, Carter would regularly read newspapers and spot stories that he felt were perfect material for the series. In the intervening years, he has developed various other dramas.

There was a show called Millennium, which was attacked by Scientologists who felt it was lampooning them, and last year a pilot for Amazon Studios called The After. To his disappointment, no series of The After was commissioned, in spite of the enthusiasm with which the pilot was greeted. The last outing  for Mulder and Scully was the feature film,  The X-Files: I Want To Believe (2008), which Carter directed. The critical response was muted and box-office receipts were disappointing, but Carter believes the new series can now once again capture the imaginations of a big, mainstream audience. If the new series is successful, there are likely to be further episodes.

The X-Files is celebrated as one of the first drama series of the internet age. Carter himself hasn’t embraced social media. “I do have an Instagram account, but that is for promotional reasons. I don’t communicate with anybody via social media otherwise,” he says. “It seems that people don’t value their privacy now, and I do value my privacy. I don’t know that anything I have to say [on social media] is all that interesting. I see its great value, but not for me personally.”

Carter is a tallish, good-looking, silver-haired Californian who used to edit a surfing magazine, but that doesn’t mean he is in the slightest bit relaxed. “I never thought of it as laid-back,” he says of the surfing subculture. “I was dealing with people who were the opposite of laid-back. These were, to use an Aussie expression, ‘aggro surfers’: people determined to change the surfing world.”

Gillian Anderson and David Duchovny in the cult TV series (Rex Features)Gillian Anderson and David Duchovny in the cult TV series (Rex Features)
When he worked for Surfing Magazine, the production schedule was almost an intense as the one he encountered later in television production. “It was where I learned about doing something serially,” he recalls.  No, Carter wasn’t an especially accomplished surfer himself but he has chased “some of  the best surf in the world”, and still speaks in awe of a wave he rode at Sunset Beach  in Hawaii. “I couldn’t believe that my feet  had touched the beach again. It felt death-defying at the time.”

At the time that Carter devised The X-Files, he stumbled across startling research from a Harvard scientist called John E Mack that revealed three per cent of the US population actually believed in alien abduction.

One guesses the figure would be far higher today, partly because of the series. Mack allowed him to sit in on “a regression hypnosis session” with an alien abductee, an experience he describes as powerful and disturbing.

Does he believe in aliens himself? More than 20 years on from the creation of The X-Files, Carter gives a typically balanced and equivocal answer, one that combines the scepticism of Gillian Anderson’s Scully with the fervent credulity of Duchovny’s Mulder.

“That ‘I Want To Believe’ poster states it so perfectly for me,” theX-Files guru muses. “I am looking for a paranormal experience. I am looking for a miracle, I am waiting for the supernatural. I am waiting to be confronted with something I can’t explain.”

The new series of ‘The X-Files’ will be broadcast early next year