David Duchovny ushering new musical appreciation:
Keaton Simons to Infinity Girl to The Beatles
Walter at FAO Schwartz dancing Heart and Soul
If you had told me two years ago that starting this website would lead to an entire musical journey inspired by David Duchovny I would have laughed.
This journey started May 12 at the Cutting Room. I had heard some of the album and at first was not impressed. But I had not listened either.
That live experience started a deep interest in David’s writing and the musical skills of his band which are well documented here and well evidenced by my travels since May 2015.
So skip ahead to May 2016. We had just returned from Europe when a few of us caught Keaton Simons live, two nights in a row. Loved it immediately.
Keaton as you may know plays an integral part in David’s early music path.
I personally started in life as a musician. A jazz trumpet / piano player, with love of oldies, and Blues Brothers type covers of classic oldies and blues on crack.
I know more about the theory than my own playing would let on, which makes me more suitable to be a music critic or teacher at this point. But I still know the language of Jazz and dig the blues.
So Keaton’s music speaks to me as he moves from Chicago Blues to Rock to the hippest of Jazz Guitar standards. I joked about the REAL BOOK wanting to jam with Keaton last month when we saw him playing solo. Quite simply, Keaton is the musician I wish I was.
Those two May 2016 nights Keaton was joined by opening act, Makuta, who I have since become social media friendly and followers. I now have the music of both Makuta and Keaton in my head often.
Now skip ahead to this past winter as we followed David’s band mates other projects around to the underground Brooklyn music scene.
About to turn 45, I enjoyed pretending to be a 25yo beatnik in search of music too hip for the radio air waves.
I found it.
Infinity Girl hurt my ears (I’m old) until I got plugs and appreciated the nuances in the noise. Hiding in that wall of sound are seriously gifted jazz cats playing at level 11.
We also followed Kernan O’Meara to Brooklyn for his lilting vocals and soothing alternating arpeggiated major seven and diminished chords.
Then we follow David’s sound engineer, K. Marie Kim to her one women band where she is a master of rocking out new age electronic music and a beautiful singer.
Forgive me if my analysis is off as a music critic, as you all and your talents defy labels.
At each stop there are other bands, and curious venues. I think in total we are up to 6 venues and about 20 unique musical groups, and a number of local food joints from Pizza to Alcoholic Milk Shakes, all because we are fans of David Duchovny.
The chances of me buying an album for most of these groups would be slim before this period in my life, but love each for who they are live. I am driven to lend my expertise in marketing independent artists (mostly myself) and expose them to my 1000s of social media followers.
I regret not getting into this scene sooner, remembering a brush with it when our comedy showed played the Knitting Factory in 2003ish. After we finished our show I heard my first live SKA band. They looked like my college big band, replacing In The Mood with Reggae.
Then there was last night, listening to David and other writers discuss the Beatles and their work for the new anthology collection of essays IN THEIR LIVES
David Duchovny and Rick Moody discuss Beatles and heartache.
IN THEIR LIVES:
Great Writers on Great Beatles Songs
with a note from edited by published by
Now I have been a Beatles fan for years. But admittedly my tastes have leaned to the pop spectrum of music, having come of age musically in 1979/1980.
Hall and Oats may be the first group I distinctly recognize listening to on the radio. PRIVATE EYES ARE WATCHING YOU.
Born 1972, I am an 80s kid. But the pretentious fans of alternative rock kept me away from the Cure etc. I stayed with MJ, Prince and Madonna. I was the epitome of a top 40 fan. I am the source of Hipster puke.
But I had a friend whose older brother introduce him, and therefore me, to Yes, Rush and Pink Floyd.
But in my house is was the Beatles Love Songs that I heard repeatedly.
Meanwhile I was winning awards as best county jazz trumpet soloist in 1985. I played in a communityband with my father, learning Sousa, Broadway, and Oldies. I would sit in with my father’s Dixieland Band.
By College I moved from trumpet to Broadway Musicals and eventually Opera. I have been a fan or performed the top 40 songs of every era since Bach.
But somehow I missed a lot of amazing music. I would nod supporting when folks praised the White Album or Abbey Road.
Last night I heard David Duchovny talk about his connection to Dear Prudence. I heard that song for the first time today.
Then David and Rick Moody, after a brief poor attempt to tie in Ricky name to Californication, discussing the Abbey Road Medley.
I am really good at acting like I know what your talking about. Much better than Trump. Smart folks believe me lol
So I sat down in the past hour and listened to Abbey Road start to finish.
Now I want to produce the Broadway show Abbey Road, but realize this has not been done because the Great White Way would ruin it.
I see a movie the likes of The Who’s Tommy. Would this have happened if THE END was not truly the end.
A little more context for my passion to write this blog….
Just last week, one late sleepless night stressing over the Leste Holt Donald Trump interview I saw the documentary abut the making of Pet Sounds, the album that many credit for inspiring Abbey Road.
Within the past year I saw CNN’s 1960s series episode on music. I thought about this alot. The 1960s started with Elvis and Bubble Gum Beach Boys. Then the Beatles and British Invasion sweep in. Meanwhile the Rolling Stones teacheck white people about Black Music, unleashing Ray Charles and The Godfather of Soul.
This all inspires Brian Wilson to get off the road and live in studio until we get Pet Sounds
This all leads to the late 60s explosion of music experimentation i(Most Chuck Berry Songs) and 1-6-4-5 ballads (Earth Angel, Blue Moon). There are no limits musically or lyrically, beyond the 1-5-6-4 (Don’t Stop Believing).
I am a musician since birth, or at least since 40 years ago today, when I came home from seeing Star Wars, plunked out the theme on piano and was forced into lessons the next week.
I can talk the talk and walk the walk for a lot of songs.
But these past two years have deepened my relationship to my first language and love. And now I feel I am just starting my journey. I want to rediscover late 1960s. I want to rediscover the experimental scene of the 1970s. MAYBE some 1980s and beyond but Happy with Prince and Dougie Fresh.
David Duchovny ushering new musical appreciation: Keaton Simons to Infinity Girl to The Beatles
NEW ALBUM featuring 12-14 new original songs from David Duchovny
NEW Tour with exciting dates / locations TBA
X-FILES Season 18
More movies, TV shows etc etc etc
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